|
''The Soul Cages'' is the third full length studio album released by Sting. Released in 1991, it became his second No. 1 album in the United Kingdom.〔(Sting in the UK Charts ), The Official Charts.〕 The album was dedicated to Sting's recently deceased father who died in the late 1980s. The Soul Cages is a concept album in which the songs are a reflection of his relationship with his father and how he felt after his death. It spawned four singles: "All This Time", "Mad About You", "Why Should I Cry For You" and "The Soul Cages". The title track won Sting the first ever Grammy Award for Best Rock Song in 1992. ==Overview and concept== ''The Soul Cages'' is a concept album focused on the death of Sting's father. At the time, Sting had developed a writer's block shortly after his father's death; the episode lasted several years, until Sting was able to overcome his affliction by dealing with the death of his father through music. The first song written for ''The Soul Cages'' was "Why Should I Cry for You", and Sting has stated the rest of the album flowed quite easily after that first hurdle was overcome. Most of the songs have motifs related to sailing or the seas (Sting's father, according to Sting's autobiography, ''Broken Music'', had always regretted not becoming a sailor.) There are also references to Newcastle, the part of England where Sting grew up. Album opener "Island of Souls" tells the story of Billy, the first son in a family line of riveters. As he watches the ships his father helped create set sail, Billy dreams of taking his father along with him to escape by sea; his dreams become more prevalent as his father is injured and given three weeks to live. "All This Time" chronicles Billy's desire to bury his father at sea. The middle section of the record focuses mainly on the town Billy lives in and its people, before the highly introspective "Why Should I Cry For You". Musically, a mournful Northumbrian Pipe motif at the end of "Island of Souls" returns to open "The Wild Wild Sea", where Billy loses his way in a tempest only to find himself steered to safety by the spirit of his father. In another fantastical narrative on the album's eponymous track, Billy's father is being held captive by a demonic fisherman, with whom Billy wagers his life in a drinking game in a bid to set his father's soul free. Finally, the album ends with the moody, slightly-enigmatic "When The Angels Fall", which serves as a final thesis on the Catholicism which so heavily influenced Sting's upbringing; particularly regarding his father's spiritual beliefs. Musically, the song acts as a full stop for both the album's content and Sting's own personal torment, with the song's fluctuating tonality finally resolving to a firm and secure G major, marking a return to “home” (in this case, the home key of the earlier, conceptually significant, track "All This Time”) and providing an overwhelming sense of acceptance, redemption and subtle-nostalgia; beautifully realised in the album's closing “lullaby” motif. The character of Billy is referred to in the third person for the first three songs and in the first person for the last three songs. In an interview with Charlie Rose aired on 10 December 2010, Sting mentioned that he was working on a "mood piece", a musical project and book in collaboration with Pulitzer winner Brian Yorkey. The work would be based on an album he released many years ago concerning the loss of his father, growing up in Newcastle and witnessing the passing of the shipbuilding industry there. He admitted being scared of the prospect of pulling it all together but expressed confidence in it working out. This project has since been confirmed as the musical 'The Last Ship' 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Soul Cages」の詳細全文を読む スポンサード リンク
|